This is a podcast about rebel women of the trade union movement. It’s inspired by the recent discovery of a set of minutes books that tell the story of Manchester and Salford Women’s Trades Union Council from 1895 to 1919.
It will introduce you to some trailblazing, risk-taking women who fought hard to improve pay and conditions for poor female workers in the early 1900s and contrast their triumphs and challenges with those of young female trade unionists today.
You’ll hear about the Women’s TUC organising secretaries Eva Gore Booth and Mary Quaile, and a contentious resolution put to the Council by Christabel Pankhurst.
Produced and presented by Abigail Ward.
Featuring: Bernadette Hyland (Mary Quaile Club), Sarah Woolley (BFAWU), Claire Trevor (Unite), Alison Surtees (Bectu), Mary Sayer (Unite) and Michael Herbert (Mary Quaile Club).
Image: Mary Quaile, 1925.
Music: Jennifer Reid, Wildbirds & Peacedrums, Electrelane
Special thanks to: Working Class Movement Library, Manchester Histories and Greater Manchester Combined Authority.
Sat, 9 November 2019 12:00pm – 3:00pm YES, Pink Room 38 Charles Street Manchester M1 7DB
Saturday November 9th 2019 marks 30 years since the fall of the Berlin Wall. This free afternoon event at YES, Manchester, celebrates that anniversary through live music, conversation and film, as part of the HOMOBLOC festival.
Mark Reeder & Beate Peter: in conversation
Manchester-born, Berlin-based producer, filmmaker and cultural catalyst Mark Reeder (B-Movie: Lust & Sound in West-Berlin 1979-1989) talks to Dr Beate Peter about Berlin’s underground music scenes in the years leading up to the fall of the Wall, and how he risked his freedom to bring punk to the East.
Abigail Ward with Howard Jacobs & Mandy Wigby: live music
Queer curator, DJ and co-founder of Manchester Digital Music Archive, Abigail Ward debuts new live material in response to the theme of the Berlin Wall with percussionist Howard Jacobs (808 State/Architects of Rosslyn) and synth torturer Mandy Wigby (Sisters of Transistors/Architects of Rosslyn).
Wes Baggaley & Margo Broom: live music
Toast of London’s queer underground, DJ Wes Baggaley (Fabric, NYC Downlow, Robert Johnson) and producer extraordinaire Margo Broom (Fat White Family, Meatraffle, Big Joanie) play a set of exclusive electronic music inspired by the Berlin Wall.
Mark Reeder is a 61-year-old Berlin-based producer, remixer, musician and filmmaker.
Born in Manchester and part of its late 70s punk scene, he moved to West Berlin in 1978 and immersed himself in the music scene there, becoming Factory Records’ German representative. He promoted the label’s bands Joy Division and ACR, whilst working as sound engineer and spending time with Nick Cave, Blixa Bargeld and other musical luminaries of the West Berlin scene.
In 1983, Reeder put together a Berlin Special of The Tube, which he co-presented together with Muriel Gray. This show featured music from both sides of the walled city. Mark risked his freedom to smuggle Western bands into East Germany, putting on illegal shows in churches at a time when the Stasi was attempting to crush the country’s nascent punk scene.
In summer 1989, Reeder was asked by East German officials if he would produce an album for up-and-coming East German indie band Die Vision for the state-owned record label AMIGA in East Berlin. He assumed at the time this was so they could keep an eye on him. Mark is now recognised as the only English person ever to have produced a record in the East, because days after finishing the album, the Berlin Wall fell.
This album was incredibly important to many East German kids, including Dr. Beate Peter. She will talk to Mark about this and many other things, including their shared passion for electronic music, Mark’s pioneering dance label MFS and his work with New Order.
In 2015 Mark was starred in a film based on his own life – B-Movie: Lust & Sound in West-Berlin 1979-1989. You can see a trailer for that film here.
We are grateful to the following organisations for their support: HOMOBLOC, YES, Manchester Metropolitan University, Manchester Digital Music Archive, Arts Council England, Economic and Social Research Council, RAH! Research in Arts and Humanities and The Lapsed Clubber.