Terminal Jive

Creative projects by Abigail Ward

Tag: Brian Eno

Iceland: Foreboding Joy

I went to Iceland in January. It was a truly mind-expanding experience. Awesome is a word I steer clear of, but its original definition fits the feeling: inspiring awe, wonder or dread; extremely impressive or daunting, intimidating.

Gazing out at those endless lunar landscapes, filled me with joy, but isn’t all joy tinged with a kind of vulnerability or dread at its passing? This is a mix that attempts to capture those conflicting emotions. It’s a bit chilly!

Three poems by Jónas Hallgrímsson
Ulver – Desert Dawn
Philip Glass – Protest (Jóhann Jóhannsson Remix)
Nils Frahm – Said and Done
Sigur Rós – Meo Blodnasir
Ólafur Arnalds – Árbakkinn ft. Einar Georg
Plaid – Wen
Petar Dundov – Then Life
Emilie Simon – Aurora Australis
Jóhann Jóhannsson – Melodia (Guidelines For A Propulsion Device Based On Heim’s Quantum Theory)
Blanck Mass – Sundowner
Brian Eno – I’m Set Free
A Winged Victory For The Sullen – Atomos IX
Max Richter – War Anthem
Björk – All is Full of Love (Strings Version)
Aphex Twin – Blue Calx
Max Richter – Morphology

Here’s a little 4-minute video of the things we saw.:
Iceland 2017 by Gareth Taylor

Songs in the key of Beatle

I created this mix while high on Night Nurse. It contains some of my favourite Fabs solo tracks and some heartfelt Beatles-inspired moments by other artists. I’ve dug out a couple of curios (a Gene Simmons solo effort, an Eno/Manzanera live track), plus lots of Harrison-esque slide.  As always, there’s an emphasis on the melancholy. Thanks to SJP for ‘Bedspring Kiss’ and numerous others.

01. The Beatles – Because
02. Cian Ciaran – You & Me
03. John Lennon – Steel & Glass
04. 801 – T.N.K.
05. George Harrison – Art of Dying (Take 36)
06. Emitt Rhodes – Ever Find Yourself Running
07. ELO – Telephone Line
08. Paul McCartney – Jenny Wren
09. Jellyfish – Bedspring Kiss
10. The Paragons & Roslyn Sweat – Blackbird
11. Wings – Let Me Roll It
12. Nilsson – Jump Into The Fire
13. Gene Simmons – See You Tonite
14. Todd Rundgren – It Wouldn’t Have Made Any Difference
15. XTC – The Disappointed
16. Aimee Mann – How Am I Different?
17. Paul Weller – Song For Alice
18. Marmalade – Reflections of My Life
19. Field Music – Measure
20. David Bowie – Try Some, Buy Some
21. The Beatles – Because (Love version)

 

Where’s Bowie?

Flyer (reverse) for Where's Bowie?, 2011. Artwork: R. Marsh

Flyer (reverse) for Where’s Bowie?, 2011. Artwork: R. Marsh

[From the vaults: a mix from 2011]

Back in 2011 I organised a night called Where’s Bowie?. It had two aims: first, to make a noise so loud and glamorous it dragged the much-missed Duke out of retirement (we succeeded!), and second to raise money for MIND – a charity that creates awareness around mental health issues.

We held the event at Night & Day Café, Manchester, on 29th November. We showed a great film – Fritz Von Runte‘s ‘Bowie 2001‘ – a piece that splices Bowie’s remixed back catalogue into the original Kubrick movie. Three bands played: Hooker (now LIINES), Black Antlers and Monte Carlo.

I DJed along with Clair & Rebecca (Bad Timing) and Jane Hector-Jones.

I put together these ‘Bowie-esque’ mixes shortly afterwards as a souvenir for all the pink monkey birds that strutted their stuff on that special night.

The lovely artwork was by Randall Marsh.

01. Sebastian Tellier – Fantino
02. T. Rex – Cosmic Dancer
03. Blur – Strange News from Another Star
04. Brian Eno – Dead Finks Don’t Talk
05. Jobriath – World Without End
06. Luther Vandross – Funky Music (Is a Part of Me)
07. LCD Soundsystem – Sound Of Silver
08. The Emperor Machine – Repetition
09. Tobor Experiment Disco Experience – Station To Station
10. David Bowie – When The Boys Come Marching Home
11. Brian Eno and John Cale – Spinning Away
12. Carla Bruni – Absolute Beginners
13. Brian Eno – I’ll Come Running
14. Warpaint – Ashes to Ashes
15. David Bowie – Ziggy Stardust (Studio Instrumental)
16. Velvet Underground – Rock & Roll

Slow (Extended Mix)

Kylie_Minogue-Slow_CD2_(CD_Single)-Frontal

[From the vaults: a blog for Pop ‘Til You Drop, 2011]

“You know what I’m saying
And I haven’t said a thing
Keep the record playing…”

Bursting out of my speakers on this mercifully sunny afternoon, Kylie Minogue’s ‘Slow’ sounds every bit as seductive and extreme as it did on its release date eight years ago this November. A peerless pop production then and now, ‘Slow’ was masterminded by engineer Dan Carey (The Kills, Hot Chip), Icelandic singer Emiliana Torrini and, of course, the former Ms Charlene Mitchell herself.

As with lots of the landmark pop tracks I blog about, I can remember the first time I heard it – after hours in the basement of the record shop where I worked, the extended mix played off a white label. It wound its way around me, gave me no choice. It’s one of those records that draws the listener in with what it leaves out. A real statement.

Tricky to pull off live (I’ve heard a few attempts), ‘Slow’ is all about the studio. It’s a lesson in stealth and minimalism: the dryest of dry rhythm tracks, the merest hint of a synth riff, that four-note bassline – simplicity itself. Then there’s Kylie, of course, all close-miked and conspiratorial, murmuring something rather promising about her ‘body language’.

It’s testament to the quality of the production that Michael Mayer, co-owner of Cologne’s famed techno label Kompakt, was moved to cover ‘Slow’ in 2005. But even he could not compete with the purity of the original. His version didn’t really work. Why?

Because Kylie wasn’t on it.

‘Slow’, for me, belongs at the centre of an imagined Venn diagram of ace pop: the place where the experiments and extremities of the underground collide with the lavish sex appeal, star quality and accessibility of the mainstream. It’s one of my favourite places to spend time. Click here, here or here for more details.

Baillie Walsh, director of the ‘Slow’ video, contributed further to the atmosphere of the track with his highly stylised aerially shot film of poolside bathers shifting on their towels in mellifluous synchrony. Kylie’s right where she should be, working it at the centre, ‘best dress on’ (just).

© 2017 Terminal Jive

Theme by Anders NorenUp ↑